Melvins, Redd Kross

Premier Concerts and Manic Presents:

Melvins

Redd Kross

ShitKid

Wed, October 9, 2019

Doors: 7:00 pm / Show: 8:00 pm

Space Ballroom.

Hamden, CT

$25.00 - $30.00

This event is all ages

Melvins
Melvins
It hasn't been a year since the last bona fide Melvins album but nonetheless, slated for release is yet another album... However, this here new one is actually a RE-release of the classic Melvins record "10 songs". Of course the NEW one has a NEW super deluxe cover and has been expanded to 26 songs. That's 16 more than the original! The record even includes a secret recording of one of their hometown buddies out of his mind on Angel Dust. This added historical window should fully explain their origin and current message in a way never before captured on record.
Even if this reissue is 16 years old you can rest assured this record is up to date! If you get this record you can know there is nothin' or nobody ahead of you. Nobody knows nothin' that you don't know. All the cards are on the table friends and that's a fact!

Dang! It's been damn near 20 years since these Melvins started and they still have yet to find the common decency to die or break up. The core-band of King Buzzo and Dale remains intact and they've had the same bass player since 1998! Hailing from the Minneapolis Cows is pioneering slide bass pervert Kevin "Rutmanis". The Melvins proclaim this lineup the definitive whatever you want to call it of whatever it is they think they do. Nothing should be denied them forever more.

Don't try to twist around or screw up this last one, it's a lot easier to just surrender and let the good times roll. After all, the Japanese and the Germans surrendered and look at them now. One things for sure don't listen to anyone about anything. The masses and the media don't know shit. Have no fear, the Melvins and Ipecac
know what they are doing. Just sit back and let these guys do the driving. Too many know nothing know it all music critics, humorless tire iron wielding troglodytes and internet weed heads spoil the broth.
Redd Kross
Redd Kross
Redd Kross have always been too good, too perfect, too true, to believe. Mythic. Could this tuneful hardcore punk EP really be the work of a brother band with the 15-year-old on vocals and guitar and the 11-year-old on bass? Did Redd Kross really open for Black Flag? Could Jeff and Steve really have been born and raised in the Beach Boys’ hometown of Hawthorne, California, and did Jeff really see the Beatles live in 1966? Did one of them, dressed in Gene Simmons makeup, really kill a Bruce Springsteen impersonator onstage? Is that really their hair? Could Researching the Blues, their first studio album in 15 years, be not just the hottest thing since Cher went solo but the best start-to-finish Redd Kross record ever?

Somehow, the answer to all the above is improbably, wonderfully, beautifully YES. Long have Redd Kross rocked, and long have critics, devoted fans, Rodney Bingenheimer and fellow musicians from Seattle (Nirvana) to New York (Sonic Youth) to Driftwood, Texas (Butthole Surfers) to Hollywood (everybody) bowed before the Kross and their self-aware pre-spandex Glam bubblegum garage psychedelic Cheap Trick/Kiss/Revolver post-Kim Fowley rock and roll. Degenerate, sweet: tongues in cheek, song-long winks.

Commercial success may never have been theirs (if time and space had been aligned correctly, they’d have been blitzing ballrooms in the early ’70s instead of opening for Stone Temple Pilots in the early ’90s), but Redd Kross have endured and endeared because they’ve always had the best possible attitude: smarts, smiles, and total commitment to live hair-spinning showmanship.

Like fellow legendary Great American John Waters, they’ve devoted their career to making subversive entertainment in a high pop celebrity style, reintroducing in their especially golden late ’80s/early-’90s period such forbidden classic-rock tropes as melodies, harmonies, ripping musicianship, and primary colors-stuff that had (largely) been ditched in the underground rock’s post-punk, No Wave, hardcore, and sensitive-egghead scenes. Redd Kross then spent the ’90s making one great misunderstood record after another until enough shit had caked the fan that in 1997 they pretty much called it quits.

But you never quit being brothers. And so here’s the next Redd Kross album-produced and mixed by younger brother Steve earlier this year after it was mostly written by older brother Jeff in 2007-08, and recorded in that same period with the band’s current lineup, who’ve re-engaged in live performance since being lured back into action by an excitable Spanish promoter.

They’re too nice to say so themselves, but attention must be paid to this band, to this great album, Researching the Blues, which, like a pair of great pants, is tight and the perfect length. By the time you’re two minutes and 51 seconds into the second song, “Stay Away From Downtown,” and the band is breaking into the sha-la-las, you will be running around the room with your hands in the air. As the fourth song, the Brian Wilsonian “Dracula’s Daughters,” ends and the dynamic mid-’60s Beatles jingle “Meet Frankenstein” launches into its first chorus, you will be mass-texting all of your friends with the good news. By the final four songs-“The Nu Temptations” (Stooges-worthy riffs! Cowsills counter-harmonies! And more!), the “Surrender”/Noel ‘n’ Liam rockers “Choose to Play” and “Winter Blues,” and the stunning summer psychedelic power pop that is the closing “Hazel Eyes”-you will know the truth. You tried the rest-but now you’ve had the best. The McDonalds were educated at Rock ‘n’ Roll High, and they’ve stayed true to their school. Here’s to their beautiful reunion! Redd Kross Forever!
ShitKid
ShitKid
ShitKid aka Åsa Söderqvist. From Kramfors, based in Stockholm/Gothenburg, Sweden.
Venue Information:
Space Ballroom.
295 Treadwell Street
Hamden, CT, 06514